Showing posts with label Self-Importance. Show all posts
Showing posts with label Self-Importance. Show all posts

Saturday, May 7, 2011

The Unpublished Thought, Bin Laden Edition

I realize that I'm in a different position from most people as regards writing things. Where many writers struggle to come up with perfect or even serviceable sentences, I routinely drop jewelz even on Twitter (feel 'em), and am often moved nearly to tears by the spare elegance with which I do things like order tacos. Where others agonize over whether or not to write about thunderously unimportant things that sort of irk them, I write about those things and then I write about those things again. Is it a blessing? Is it a curse? It's a blessing. But I am aware that it sets me apart from most people. So if you were going to write me an email or something about that, it's cool, I know. But thanks, I really appreciate your concern.

So you can imagine my surprise when writing-related things don't go my way. And I'm going to drop the grandiosity, here, and get briefly and hopefully not too unbearably into emo-serious mode. But I'm not actually even a little bit surprised when writing-related things don't go my way. I've had a good last half-year, in terms of getting work and developing some self-esteem ("Barf, dude" -- You) and, over the last couple months, actually making more money than I need to spend on things like water and shelter and tinned meat/fish, but I've had way more full years of freelance jitteriness and anxiety and disappointment and what was at best the most tenuous of solvency. Which is not that cool, but which is also the career I chose and furthermore was never going to leave me out on the street. It makes it that much sweeter that venues I respect are giving me space in which to BS about basketball with semi-idols of mine (or about football, or about baseball, with people I admire like crazy) and write at length about things I care about in ways I never would have dreamed were allowable, let alone available to me. I'm not getting paid for those things, but they've made other good, paying stuff possible and they have brightened my life and it's good. But for all the confidence I have in my ability to write sentences -- the first graf was a joke, but I can find myself Feeling Myself just as easily as anyone who does this -- I don't really have any idea how this business works, or how to work in it all that effectively. What I know about that is what I've managed to teach myself, and I can imagine many better teachers.

So when I meet composed and well-dressed adult-seeming people who blog professionally, or even when I so much as ponder what it would be like to make a good living writing for a living, my internal compass sort of spins. It's not just that it doesn't compute, although honestly it does not compute. It's that it's easier for me to remember not getting emails back on pitches or just generally getting the high-hat in a dozen different ways from editors than it is for me to indulge in even the humblest fantasy of mundane, baseline success and solvency from this stuff. I don't know how many more good things will need to happen before I stop thinking this way, but my guess would be a few dozen hundred.

And so there's a sort of bleak satisfaction -- worst suspicions confirmed and all that -- in getting a story spiked. But at the risk of patting myself on the ass for doing what I am supposed to do as a grown-up, I think I might be getting better at dealing with this. That's good, because there isn't really an alternative to that, but it's also good because I'm angry and sad less often and less intensely and less self-destructively; skipping directly to get-drunk mode has never worked for me, and I've tried it a lot. The story below, on Osama Bin Laden's killing and Barack Obama's presidency, was assigned to me by my editor at New York Magazine on Wednesday, written Wednesday night and Thursday morning and, on Friday, bumped from the upcoming issue. Which sucks, because this was something I'd been wanting to write about here or somewhere else -- I still may write more on it if I can get my brain together on it -- and which I was excited to get to write about for a magazine I respect so much. But which is also very much a thing that happens to stories, and which my editor apologized for and was very forthright and cool about, and which I'm going to get a kill-fee for. And I can run it here without anyone getting mad.

All of which is good, and all of which pales for me next to the fact that, while I was obviously disappointed, I actually feel kind of okay about it. I know it's a thing that happens, but I've always known that. I think the difference, and the part that makes me happiest, is that I've gotten better at realizing that it doesn't happen only to me, and that it's not the only thing that could happen to me. And anyway, I still think the story is pretty good, which helps with the dealing-with-it. And those are the feelings that I have today! I hope you have enjoyed them! Here's the story:

Big Things

Barack Obama is, when it comes down to it, a good and competent man with an impossible job, whose noble intentions have been hamstrung by a broken Congress. Or, if you prefer, Barack Obama is a fearless and cynical revolutionary intent on using the considerable powers of his office to do whatever he wants, regardless of popular support or, indeed, any basis in law. There's plenty of room between the narratives favored by the president's supporters and detractors – and everyone on both sides at least agrees that congress is currently a gilded playpen full of nightmare babies – and the truth of Obama's not-as-transformative-as-advertised presidency probably lies in that in-between space. But with the assassination – "the capture and death," in the President's opaque and queasily parse-able phrasing – of Osama Bin Laden, Obama managed to confirm and confound both narratives at once. That's a strange and impressive feat, and one that might also be the most representative moment of Obama's strange, fraught presidency.

To be clear, that ambivalence has nothing to do with the mission – essentially everyone agrees that the world is a manifestly better place without Osama Bin Laden in it. And the deeper ambiguities of the assassination have barely entered the mainstream discourse, which has thus far consisted of "U-S-A" chants, politicians on both sides using the success to justify previous policy positions , and a series of Drudge-ready headlines for miniature stories – "Palin Says Pics Or GTFO ," "Bush Wants More Credit ," "Majority in U.S. Say Bin Laden In Hell. " Well, that and a persnickety squeakiness from the right that Salon's Alex Pareene summarized as: "Actions are not enough! We need words ." The broader significance of killing Bin Laden isn't simple, but the thing itself can be understood as simply as you please.

One of the prime differences between Obama and his predecessor in the White House, though, is that we assume that this President does not see things simply. Whether you see him as the left's good-hearted nuance-jockey or the right's cunning collectivist conspirator, Obama routinely gets credit (and blame) for his ability to see both sides and work towards an outcome somewhere in the middle. This pragmatic approach long ago tempered the "we do big things" optimism of his 2011 State of the Union address into "we generally do the best things possible," and it hasn't always delivered inspiring outcomes – major legislation on health care and financial reform came off as vexingly over-compromised to the president's supporters, and terrifying strides towards socialism to his detractors. In killing Bin Laden, though, the President has done one of those "big things" with an undeniable decisiveness – there's nothing half-a-loaf about ordering a very public political assassination in another sovereign nation, and there's no negotiating with a Navy SEAL.

But while the successful mission to kill Bin Laden revealed Obama as both as competent and as ruthless as his supporters and detractors respectively imagined, it also raises a bleaker truth about the current state of 2008's hope-and-change optimism. It shouldn't be surprising that the greatest catharsis Obama has given the nation since his inaugural came through violence instead of by, say, reforming college loans. But there's something jarring about the relative ease with which Obama has dropped bombs in Libya and dispatched commandos to Pakistan after punting on numerous campaign promises and passing heavily compromised versions of others. "Tonight," Obama said in announcing Bin Laden's death, "we are once again reminded that America can do whatever we set our mind to ." The confounding part, for Obama and for us, is how both true and untrue that statement is – how much simpler it seemed to order a secret kill-mission on the territory of a putative ally than it was to secure a few extra weeks of unemployment insurance in the middle of a prolonged economic downturn. Amid the relief at Bin Laden's demise, it's hard to shake the sense that this isn't the sort of change anyone, on either side, expected from this President.

Tuesday, March 15, 2011

The Century Club, Among Other Things

As you certainly already know, because you are a superfan, this is my 100th post here at David Roth, The Writer. Which means that I have now officially had 100 excellent thoughts -- thoughts about Guy Fieri and John Schnatter and libertarians and the "Ground Zero" "Mosque" (Oh man, remember that? CLASSIC SUMMER BIGOTRY!) and writing for no money and Frighteningly Nutty Sitcom Actors and terrible things and awful, awful David Brooks and so on. All of them excellent, all of them (apparently) worth the getting-deep-like-a-Navy-SEAL treatment. Which is to say: I guess I've been doing things at this address for a minute, now, although I'm still not exactly sure what I'm doing with it. I do know that I'm probably taking it a bit more seriously than I should.

I know that because the knowledge that this was my 100th post has kept me from writing anything here for awhile, because it Had To Be Good. Which is generally a good impulse, I suppose -- this sort of constructive self-consciousness is the thing that separates humans from Thomas Friedman -- but which also meant that I would periodically stare at a blank screen here, knowing that I should write something Totally Epic and Withering about a three-week old (but very terrible) feature story about evil prosciutto/New Jersey Governor Chris Christie (right), but also feeling tired and being busy and so on. And while I could easily fill my days writing about how sleepy, fatuous elites need to stop fluffing this graceless and cruelly cynical human hot pocket, I also know that that's not what this blog was for.

It was, almost a year ago, an attempt on my part to be professional, put all my stuff in one place, and do simultaneously a little plumage-flashing -- "I don't just write about sports, I also make fun of Paula Deen!" -- and some self-promoting. Which I guess I've done, but which I've also probably done too sporadically and (shock) in too prolix and off-topic a way to serve its desired purpose. What was supposed to be something I could put on a resume instead became, like, a blog. It's one with links to all my recent publications in the right-hand column (check it out, it's just to the right of these words!), but it's also a blog that I use the way people use blogs. I like it in that way, but also, really now. Really.

But also: really, it's nice to have a space to write about what I want to write about. I'm kind of past the "fuck an editor, it was perfect when I first thought it" stage in my life -- I make exceptions, periodically -- but given the stresses of trying to sell things, I suppose giving it away for free and enjoying the freedom from expectations that comes with that is maybe a healthy thing. And when someone calls me and says they want me to write a weekly column that is really a transcribed Gchat conversation about why so many Food Network personalities look like photographic negatives or freaky cartoons and yell all the time, I'm sure as hell going to be warmed up.

So yeah, 100 posts in a little under 365 days, and a 101st and so on in due time. I don't know that I'll use this space more effectively or responsibly in the future, but I know that I'll keep using it, and appreciate those of you who -- for whatever reason -- read it. (The Blogger stats thing suggests that, oddly and improbably, there are actually a few dozen of youse, which really reflects more on you than it does on me) I will also now use this post to promote something I wrote for The Awl about a week ago on the NFL Labor Apocalypse, which stars the adorable Jerry Richardson (he's the evil deflated Gingrich above). I'm happy with the piece, and think it's a good example of my work with The Awl over the past months, and that's why I'm putting it at the bottom of a 600-word post about myself and how I use my blog. I am really figuring this out!

Wednesday, March 2, 2011

(Don't) Watch What Happens


During the early days of Charlie Sheen's monstrous, fast-talking public wild-out, I will admit to being pretty blown away by it, and I guess by him. What at first seemed like The Highest Shit Ever -- complete with the amazing coke-decision to start his image-rehabilitation tour on the radio program of 9/11 Truth godfather and overall crazy person Alex Jones -- became... well, it stayed really high-seeming. The over-the-top verbosity and epically poor rhetorical decisions and general thermonuclear grandiosity, after all, being what an already jerky/cocky guy -- who has gotten away with decades of conspicuous substance-consumption, property destruction and woman-hitting -- would sound like were that guy coked to the fucking gills. In a "Christ What An Asshole" sense, it was kind of gripping and mostly amusing.

And it still is, when you read the stuff Sheen has said on the page/screen. But listening to his sad sped-up crackpipe voice going on about himself -- always about himself, always going on -- or watching his prematurely wizened and withered visage, little pet's eyes flashing around restlessly, while he's spouting all that bullshit is not really funny to me. It's hugely discomfiting and increasingly depressing, and this is true even if the bullshit itself, the "I'm an F18 with tiger blood and poetry-spouting fingertips" stuff is actually amusing on its own. (It's doubly amusing when, thanks to Buzzfeed, it is attributed to other organisms)

Again, too, because it's the internet, my revulsion is enhanced by being able to watch other people watching this. For me, the hundreds of thousands of rubberneckers who opted to Join The Revolution and follow him on Twitter -- Sheen got 810,000 followers in a little over a day -- were basically people fighting for front row seats at a bumfight, but that's the internet, and that's what you get on the internet. But as Sheen continues (improbably, I know) to pass drug tests, it's getting tougher for me to laugh at any of this. He is indeed "high on a drug called Charlie Sheen," which is why he is continuing to talk about Charlie Sheen all the time, in these amazingly grandiose and insight-free ways. Dude is having a very public manic episode, and whether it's drug-fueled or not doesn't make it any more or less amusing to me. The "bi-winning" thing is funny, on its own. When it's said by a textbook dual-diagnosis bi-polar dude acting like a textbook dual-diagnosis bi-polar dude, you wince. Or I do.

Sheen is better-spoken, better-looking and marginally better-dressed -- I'm not really feeling his bowling shirt couture, personally -- than the crazy person in sweatpants screaming shit about how the CIA can just COME FUCKING GET HIM outside my office yesterday. He is rich enough that he could never find the mountain of blow he couldn't afford. And I don't really like being on the side of those clucking news program types who are like "don't you feel bad about choosing to ingest all these substances?" because fuck that noise, he's a grown-up and can do what he wants to his body. That includes being a total epic dickhole and starring on Two and a Half Men, both of which he has successfully managed to do for years without me really noticing. Or I'd be inclined to say that, I guess, if he wasn't also socking women in the face and keeping his crack rocks so near his young kids.

But I'm going to unplug from his I Need My Meds Tour for awhile, and be glad to do it, because I don't want to watch a crazy person be crazy in this way. I have no doubt that Charlie Sheen is not a very good guy -- hitting a woman once is proof enough of that, and the fact that his kids got removed from his sprawling and no doubt very hygienic home at Eight Balls And Shaved Pudenda Estates yesterday is abhorrent. More to the point, though, I am increasingly unable to laugh at this guy as he hurtles vainly, ragingly, biliously over the edge, blathering anti-semitisms and noxious self-praise as he makes his way down to the bottom. I'm not going to sit here and Dr. Drew you about how I want him to get help -- I'd think that's probably a good idea, but I do not now and never have given a shit about Charlie Sheen. Mostly I just think that pointing at laughing at this mentally ill narcissist in mid-breakdown is maybe not the best use of a week's free time.